| |
| | BERLIN 2002: Everything But the Kitchen Sink; Yukisada's Ambitious "Go" (Site not responding. Last check: 2007-10-24) |
 | | Yukisada's biggest problem is that he generates vastly different levels of emotional intensity from scene to scene. |
 | | A wordless, soundless scene in which Sukurai has decided to offer her virginity to Sugihara, choreographed with a knockout musical score, is supremely delicate, while the scene that follows immediately, a stagy encounter with a Japanese policeman meant to convey some serious things, is utterly slack. |
 | | Yukisada also shows a delightful taste for the absurd, as when Sugihara's boxer father, standing in a drenching rain, suddenly belts out a song in unrecognizable Spanish, claiming that he always wanted to be Spanish when he was younger. |
| www.indiewire.com /movies/rev_02Berlin_020215_Go.html (738 words) |
|