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| | Julia Kristeva: On Juri Lotman (Site not responding. Last check: 2007-10-21) |
 | | Based on natural language, art is nevertheless of another, "superstructural" order: it redistributes the primary logic of language according to new logical rules, conferring on humanity new mental (or, as one would say today, new cognitive) possibilities, different principles of logic for the reconstruction of the self and the world. |
 | | From that point on, semiotics was for Lotman the science that recognizes the intercommunication and the reprocessing - the "perestroika", as he said (see Lotman 1994 [1981]) - of information and of structures as an essential cultural fact, as the essence of cultural and social life. |
 | | In distancing himself from the classic semiotics of Hjelmslev, Carnap, Peirce, and Morris, Lotman did not, however, cross over into the kind of analysis that is attentive to the effects of the unconscious or even to many individual effects revealed by textual stylistics. |
| www.georgetown.edu /faculty/irvinem/theory/Kristeva-OnLotman.html (950 words) |
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