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 | | Slezkine says that his main purpose is to "describe what happened to Tevye's children." As readers will recall, Tevye is the hero of Sholom Aleichem's stories, which were adapted for the Western stage and screen as Fiddler on the Roof. |
 | | Slezkine argues that "the modern age is the Jewish age, and the twentieth century, in particular, is the Jewish Century," because modernization is about everyone becoming urban, mobile, literate, articulate, intellectually intricate, physically fastidious, and occupationally flexible. |
 | | Slezkine's "Jews" are not defined by the Jewish customs, habits, and beliefs of their families; as businessmen and bankers, scientists and artists, professionals and revolutionaries, they are instead defined by their ability to realize their inner ("Jewish") nature as the makers of the modern world. |
| www.hhrf.org /hac/NoticedInThePress/2005/Book_R_NYRB_060905.doc (2694 words) |
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