Zarzuela is the national music theatre or light opera of Spain.
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Zarzuela (IPA /θar'θwe'la/ in Spain, /sar'swe'la/ in the New World) is a Spanish lyric-dramatic genre, which alternates between spoken and sung scenes, the latter incorporating dances.
Often, the success of zarzuelas came about because the public learned the songs from the performances, and they entered the oral culture, as happened with the popular cuplés, literally "couplets", a style of song that exists in Spain to this day, although it is now seen as a bit archaic.
Zarzuela is also the name of a Spanish dish made of diverse sorts of seafood and fish, named after the opera genre, due to the mixture of characters.
Zarzuela is the unique Spanish form of musical theater/operetta, made up of text both spoken and sung, with solos, duets, ensemble pieces, choruses, and dances as well.
The original Teatro de la Zarzuela in Madrid opened in 1856 and was destroyed by fire in 1909.
Barbieri was a champion of zarzuela and one of the founders of the theater.
Zarzuela concert at the Barbican(Site not responding. Last check: 2007-10-16)
Zarzuela is often crudely referred to as Spain's answer to Gilbert and Sullivan.
Zarzuela had its heyday in Madrid while Offenbach was wowing Paris and Gilbert and Sullivan were doing the same in London, and it needs intimacy and atmosphere.
But then, Domingo was born to the zarzuela, almost literally, since both his parents were leading singers in the genre, from whom the infant Placido heard his first songs throughout childhood and beyond, and which he sang himself (as a baritone) before he made his operatic debut.
The name Zarzuela comes from a place close to Madrid which, during the reign of Felipe IV, was a resting spot used during royal hunts.
It was denominated "zarzuela" for the abundance of thorns and briars.
When the Bourbons assumed the throne, zarzuela was further developed by Italian opera, mostly because king Felipe V preferred Italian music sung, since he did not understand Spanish.
USATODAY.com - Telecommuters find they're not missing out on promotions(Site not responding. Last check: 2007-10-16)
Zarzuela's experience is becoming increasingly common as employers step up telework options for employees and cut office space costs.
For Zarzuela, teleworking is "sitting in my home office four days, seven and a half hours a day, either answering questions or reviewing documents for scientific accuracy." One day a week she drives to the Malvern office to touch base with colleagues and attend meetings.
Zarzuela's home office replicates the one she had at work: an IBM Think Pad computer hooked up to a secure, high-speed line, monitor with mouse and keyboard, fax machine, printer, business phone and pager, and cell phone.
A Spanish perfume... Zarzuela(Site not responding. Last check: 2007-10-16)
Zarzuela is a lively genre that depicts, in a theatrical and amusing manner, many aspects of Spanish life.
The zarzuelas of those centuries are amusing stories that are appealing, according to the Valencian writer Antonio Eximeno, because the modern Spanish public has good taste and enjoys understanding the plot rather than just indulging on a mere passion for music.
Zarzuelas come in two main forms: the short or small genre, consisting of works featuring popular characters of Madrid in one act, suited for "one-hour performances," and the large genre or grand zarzuela, works in several acts resembling a full opera.
Zarzuelas differ from opera in that they include spoken sections interspersed between the singing and a rather different tone.
For Domingo, although zarzuelas began in the 17th century to entertain Spain's King Philip IV and his courtiers, (performed in a pavilion surrounded by 'zarzas' - brambles) their plots tend to centre on working class or middle-class life and, whether romantic, political or tragic in theme, use "an ample sprinkling of popular Spanish humour".
Both are early 20th-centuryzarzuelas — the first about a love triangle set in the world of bullfighting in Andalusia and the second a story of love games in 19th-century Madrid.
Discovering Zarzuela: Spain's Vibrant Operatic Tradition(Site not responding. Last check: 2007-10-16)
Zarzuela is the Spanish form of operetta, as reflective of traditional Hispanic culture as "Die Fledermaus" is of Vienna in the 19th century or "Bye Bye Birdie" of America in the Presley era.
Placido Domingo began his career in zarzuela, which may be one of the last genres of unfamiliar classical music waiting to find an American audience.
There is a good recording of the Antologia de la Zarzuela on the Spanish branch of the Philips label; it is not distributed through regular American outlets, but you should be able to track it down through a specialty importer or pick up a copy at the Expo in Seville.
Wikinfo | Zarzuela(Site not responding. Last check: 2007-10-16)
There are two main forms, (1) the baroquezarzuela (c.1650-1750) and (2) the romantic zarzuela (c.1850-1950).
The classic romantic zarzuelas are divided into two main types, (1) the género grande, longer, operatic-style works in two or three acts, and (2) the género chico, shorter, more populist works in one act, approximately an hour in length.
Placido Domingo's parents were zarzuela singers, and he grew up working in their touring company in Mexico.
Zarzuela Opera Styles Music Arts(Site not responding. Last check: 2007-10-16)
By 1999, the tenor had won Prize of the Public, the Zarzuela Prize, and second prize overall in Placido...
Explaining this recent wave of native Spanish-speaking artists, Florez said, "Maybe their prominence in opera is due to zarzuela, whose songs are very lyrical...
these are songs written for singers that would be, first of all, used to singing without microphone, that would have some contact with zarzuela or opera in a...
Venezuelatoday.net - Gustavo Coronel - From Revolution to Zarzuela(Site not responding. Last check: 2007-10-16)
Fewer people, especially in the Nordic countries, know what a zarzuela is. Originating in Spain, the La Zarzuela is a musical light opera or operetta, placed somewhere between the tragedy of opera and the frivolity of vaudeville.
I am starting to believe that the "revolution" of Chávez is turning into a zarzuela, although the misery and the filth of the country under the "revolution" have certainly been dramatic.
The third act of the zarzuela has to do with the leader of the government becoming indignant about the "Invasion." He called for a big popular march to protest against the paramilitary invasion.
The melodious, strikingly dramatic operetta called the zarzuela is but one of the many traditional and indigenous entertainment fare on view in such cultural institutions as the Cultural Center of the Philippines.
The zarzuela became popular in Spain during the 19th century, the height of the international Romantic Movement for nationalism.
Today, the zarzuela is still staged, although it has evolved unto other forms of contemporary theater.
She examines Cuba's pivotal role in transmitting the zarzuela to Latin America and the Caribbean and draws distinctions among the ways in which various Spanish-speaking communities have reformulated zarzuela, combining elements of the Spanish model with local characters, music, dances, and political perspectives.
Just as the zarzuela afforded an opportunity in the past for Spaniards to assert their individuality in the face of domination by Italian and central European musical standards, it continues to stand for a distinctive Hispanic legacy.
Zarzuela provides a major advance in recognizing the enduring cultural and social significance of this resilient and adaptable genre.
La Zarzuela was often visited by clowns and actors from the city of Madrid, and perhaps the piece Calderón and Hidalgo provided, running the theatrical gamut from classical opera to low slapstick and popular song - a bit like Dryden's work with Purcell in England - reminded the courtiers of a typical La Zarzuela entertainment.
As at first, the essence of the new flowering was the exotic mixture of genres - zarzuela is not going to appeal to anyone who likes their theatre 'purely' one thing or the other.
The growth of nationalist consciousness brought about the birth of the modern or romantic zarzuela, a mighty movement in which writers such as Ventura de la Vega, Luis de Olona, Luis Mariano de Larra and Francisco Camprodón were at least as proactive as their better known musical colleagues.
While tapas -- and everything associated with small-plate dining -- has become the rage during the past few years, the folks at Zarzuela continue to work the stove with the best of them, and the prices are among the most reasonable.
Zarzuela's 60 seats may not be as coveted as they once were -- competition abounds, Russian Hill parking seems tighter than ever, and the restaurant doesn't accept reservations -- but it's not because the quality of the food has dimmed.
Zarzuela is the type of place that seems to have a bit of something for everybody, and enough charm to go around.
This wine is named Zarzuela-the Spanish word for 'operetta' ; a romantic musical.
Just as many voices and instruments come together to form the musical Zarzuela, this wine is a blend of many grape varietals, aged in an interesting blend of oak barrels.
Augmenting the fruit of the Tempranillo is the magical fruit of the Touriga Nacional, which adds a ripe flberry, currant and a touch of anise.
www.murrietaswell.com /zarzuela.html (225 words)
Placido Domingo : Zarzuela(Site not responding. Last check: 2007-10-16)
For me, the word zarzuela represents something very special - they are the lullabies I heard my parents sing during my first days of life, as they gently cradled me in their arms.
In that zarzuela, my mother had to declare her love for the character played by my father.
The zarzuela calls for a very high tessitura from the bariton, so, throughout my career, I have enjoyed including in my zarzuela repertoire some bariton arias which have been transposed up to tenor keys.
Nevertheless, his discussion of the relationship between language and music especially as it affects the Spanish sung art form is insightful and instructive as regards the performance of zarzuela.
Notable is his clear presentation of various evolutions of zarzuela that have been inspired by foreign influence.
In 1996 zarzuela was included as a category for performance in the competition and the second place winner in 1996, Spanish baritone, Jose Julian Frontal Martos, was awarded a special for prize for his performance of a zarzuela aria.
The results came up roses for Zarzuela, a senior medical information manager who has been promoted twice since and now earns more money working 30 hours a week than she did working full-time five years ago.
Zarzuela's experience is becoming increasingly common as employers step up telecommuting options for employees and cut office space costs.
Like many employees reassigned as telecommuters, Zarzuela worked from her office with little supervision, using the telephone as her main method of communication, and did not meet directly with customers on a daily basis.
El jardín de Falerina, whose premiere was made in 1648, was maybe the first antecedent of the zarzuela.
1801) and, mainly, with the from Madrid chapel teacher Antonio Rodríguez de Hita (1724-1787), the zarzuela was born and developed, national gender that is equal to the French comedian opera.
Clearly it is seen that the royal presence influenced a lot to follow this line and the popular factor has also been always very kindred to the commercial one.
However, a common point of discussion found throughout many of the sources was the question about the stature of zarzuela among other classical and world music.
Certainly, however, the debate about zarzuela's stature is the most significant overarching theme in the scholarship.
The debate breaks down into two camps of thought: 1) zarzuela is worthy of being called Spain's national music and 2) zarzuela is not worthy of this title.