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 | | At the beginning of the twentieth century, Academism was characterised by two basic, interdependent features: a relative stability, even an unchanging language and means of shaping, along with mimesis as a general philosophy of art. |
 | | This is confirmed by the works of Jan Konjarek (1878-1952), Dragomir Arambasic (1881-1945), Pasko Vucetic (1871-1871), Zivojin Lukic (1889-1925); this brings one to the conclusion that, between 1870 and 1920, Academism in Serbia was very intensive (later as a weakened, sub-historical phenomenon, until 1950), in its various forms. |
 | | A special role was played by Zivojin Lukic (1889-1934), Petar Palavicini (1887-1958) and Risto Stijovic (1894-1974), who possessed Mediterranean calmness, the masters of the figurine and poets of the female body, and, later, Dusan Jovanovic Djukin (1891-1945). |
| www.suc.org /culture/history/Hist_Serb_Culture/chs3/sculpture.html (1209 words) |
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