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| | Victorian London - Photography and Optical - Victorian Optical Devices - Zoopraxiscope (Site not responding. Last check: 2007-09-17) |
 | | These attitudes, however, the operator asserts to be the true and natural ones; while, on the other hand, he as stoutly asserts that the accepted, conventional, traditional, and artistic rendering of the movements of the horse are, and have been (with a few Greek exceptions), altogether false amid unnatural these forty centuries since. |
 | | After the horses, dogs, oxen, wild bulls, and deer were shown under analogous conditions of varied movement, and finally Man appeared (in instantaneous photography) on the scene, and walked, ran, leaped, and turned back-somersaults to admiration. |
 | | Nevertheless, if’ a proper interpretation is given, the eye at once rebels; and on examination of such a figure, founded on perfectly correct principles, the mind refuses to assent to the idea of great pace, which is that which is intended to be given.’ |
| www.victorianlondon.org /photography/zoopraxiscope.htm (409 words) |
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