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| | Bjork |
 | | Whenever Bjork is singing about love, or life, or death, or religion, or whatever the heck else, she manages to avoid banalities simply by choosing a unique form of communicating these banalities (not that her communication is limited to banalities, not at all). |
 | | Bjork can sing a "regular" melody all right, and when she deems it necessary to conform to the requirements of rhythm and rhyme, she does it, but when she doesn't, she doesn't. |
 | | Bjork, in particular, is clearly ready to move on and leave the Sugarcubes stage behind as a relict of the late Eighties. |
| starling.rinet.ru /music/bjork.htm (11997 words) |
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