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| | [EMLS 4.1 (May, 1998): 8.1-4] Review of Surveillance, Militarism and Drama in the Elizabethan Era |
 | | Even the opposing "liberal" construction of that era has so far largely centred on such consent, as substantially engineered by a putative "theatricality" of power: thus the New Historicism enjoys a comfortably middle-class and literary interest in power as a lavishly aestheticized realm, focusing on gorgeous display, auratic ritual, the quelling mystique of costume. |
 | | Moreover levies functioned consciously as expedient mass-deportations of penurious and disaffected males, decimating domestic opposition; and thus foreign policy, far from being the scenario of a plucky victim subject to bullying, was a matter of frequent provocation of Spain as a calculated tactic of both imperial ambition and expanding state power. |
 | | Elizabethan terror, for instance, seems to have been real enough for Catholics, vagrants and the poor, but scarcely for the propertied classes with whom the Crown worked carefully, even timidly, in negotiating parliamentary subsidies and personal loans, and for whom the regime, as Breight admits, functioned largely as a benevolent partner. |
| www.humanities.ualberta.ca /emls/04-1/rev_fitt.html (774 words) |
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