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| | ECHO IV/2:Symposium Intro (Site not responding. Last check: 2007-10-31) |
 | | Taken as a package, it seems we are in the midst of a folk revivala period when popular (and corporate) culture looks to music, art, and other cultural forms that are seen as folkloric, treated as if created by communities of music-makers without the interference or mediation of technology. |
 | | Like its predecessors, this folk revival comes at a time of dramatic demographic change, the centralization of large corporations, and the rapid rise of new technology (the internet, in particular) that effects the way we relate to one another, to our communities, and to our nation on the most fundamental levels. |
 | | Folk music, constructed in various ways, has long been an arena of imagining nationhood, and, we believe, it is vital that we interpret this phenomenon to understand the nation we are imagining. |
| www.humnet.ucla.edu /humnet/musicology/echo/volume4-issue2/folk/folk1.html (1120 words) |
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