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| | The Chronicle: 10/18/2002:Evolution and Literary Criticism |
 | | Nonetheless, literary representations are not autonomous constructs, disconnected from the material world; rather, they reflect the way organisms encounter their environments, most notably, humans encountering other members of their own species. |
 | | Rather than seeing a literary text as an arbitrary ordering of components within its own semantic system, an evolutionary criticism would therefore view each as a document created by, and concerned with, unique life-forms embodied in an organic world of sex, blood, food, fear, anger, love, hopes, trees, animals, air, water, sky, rocks, and dirt. |
 | | Thus, current literary criticism seems eager to "deconstruct the texts" of natural and social scientists, while considering their own domain sacrosanct. |
| chronicle.com /free/v49/i08/08b00701.htm (3374 words) |
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