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	John Goto: Kasimir Malevich, The Commissar of Space
		She is shown here with Malevich and his daughter Una outside the cathedral of St. Saviour in Moscow which was demolished in 1931 to make way for the aborted Palace of the Soviets.
		Malevich was born in Kiev and as late as 1929 was a visiting lecturer at the Kiev Institute of Art.
		On the extreme left is Malevich's 1930s portrait of Anna Alexandrovna Leporskaya; she appears however remarkably like his first wife Kazimira Ivanovna Zgleits, whom he married in 1896 and is seen in the foreground.
	www.johngoto.org.uk /malevich.htm (952 words)

	Guggenheim Collection - Artist - Malevich - Biography
		Kazimir Severinovich Malevich was born on February 26, 1878, near Kiev.
		Following the Russian Revolution in 1917, Malevich and other advanced artists were encouraged by the Soviet government and attained prominent administrative and teaching positions.
		In 1927 Malevich traveled with an exhibition of his paintings to Warsaw and also went to Berlin, where his work was shown at the Grosse Berliner Kunstausstellung.
	www.guggenheimcollection.org /site/artist_bio_94.html (369 words)

	Art/Museums: Kazimir Malevich Suprematism at the Solomon R. Guggenheim Museum and The Menil Collection, Houston (Site not responding. Last check: )
		Kazimir Malevich (1878-1935) was the foremost Suprematist and the "Kazimir Malevich: Suprematism" exhibition at the Solomon R. Guggenheim Museum in New York is stunning.
		Malevich's finest "non-objective" works were mostly executed during World War I, a decade or so after Vasily Kandinsky had ignited the fires of abstraction with his wild and rapturous geometric flourishes.
		Malevich was given a retrospective exhibition in 1978 at the Musée National d'Art Moderne in Paris and ten years later an even large show was held at the State Russian Museum in St. Petersburg (then Leningrad).
	www.thecityreview.com /malevich.html (1191 words)

	Kazimir Malevich, Liubov Popova, Olga Rozanova
		Malevich's painting is less mathematically regular than Gris' work, and the surface shapes built up, that of a person's face, and far more irregular and complex that Gris' bottles and glasses.
		Malevich uses an opposite effect: the biggest column is toward the left hand side, with the smaller columns nestled in its right hand corner angle.
		The shading of the color resembles Malevich too: neither the white nor the green is uniform throughout, but they undergo a series of color modifications throughout their regions, apparently due to the thickness of the paint.
	members.aol.com /MG4273/malevich.htm (5900 words)

	Polarity - eMagazine
		Kasimir Malevich is considered one of the seminal figures of non-objective art in the 20th century.
		Malevich was like Mondrian and Kandinsky in that he attempted to create an artistic utopia that became the secular equvalent of religious painting - in this case, intending to replace the ubiquitous icon in the Russian home.
		Gradually Malevich's vocabulary evolved to include other forms in simple opposition, and it is here that drawing also became an important medium in his expanding formulation of Suprematism.
	www.poembeat.com /fall2003/malevich.html (708 words)

	Kazimir Malevich
		In 1909 Malevich married Sofia Rafalovich, the daughter of a psychiatrist.
		Malevich himself was a Roman Catholic and he had a mystical bent, but he was not conventionally religious.
		Malevich was allowed to retain a small apatment, where he lived with his mother and his third wife, Natalia Andreyevna Manchenko, whom he had married in 1925.
	www.kirjasto.sci.fi /malevich.htm (1940 words)

	Arts Gallery
		Malevich had clear insight and a logical mind, and he went straight to the point which other artists reached by cautious evolution.
		In 1896 Malevich went to study at Mykola Murashko School of Painting where he was trained by Mykola Pymonenko who was a painter of the naturalistic line.
		Malevich was one of the pioneers of geometric abstract art.
	www.artukraine.com /paintings/malevich3.htm (811 words)

	SCHJELDAHL, Malevich Review (Site not responding. Last check: )
		Malevich was born in 1878 to Polish-speaking parents in Ukraine.
		Malevich hatched Suprematism secretly in 1915, to prevent anyone from stealing a march on him.
		Malevich’s apparent unconsciousness of this fact indicates that he clung to the convention of the canvas as a window on a fictive reality.
	www.georgetown.edu /faculty/irvinem/visualarts/Schjeldahl-NewYorker-MalevichReview-6-2-03.html (1186 words)

	Guggenheim Hermitage Museum - Malevich
		Kazimir Malevich was born February 26, 1878, near Kiev.
		Following the Russian Revolution in 1917, Malevich and other advanced artists were encouraged by the Soviet government and attained prominent administrative and teaching positions.
		In 1927, Malevich traveled with an exhibition of his paintings to Warsaw and also went to Berlin, where his work was shown at the Grosse Berliner Kunstausstellung.
	www.guggenheimlasvegas.org /past/exhibition_167_work_md_549.html (361 words)

	BOOKFORUM \| winter 2003
		The facts are well known: Malevich constantly meddled with dates, starting with the birth of Suprematism, which he always insisted, contrary to all evidence, on placing at 1913 (Suprematist paintings were first publicly presented in Petrograd at the historical exhibition "0,10" in December 1915).
		Since then, Malevich's constant, deliberate affront to the rationality of geometry has become a staple of the Malevich literature (to the point that when a drawing is too neatly geometric, it is enough for Nakov, in his catalogue raisonné, to discard it as produced by one of his pupils, Lissitzky, for example).
		To state it briefly, Malevich's conception of cinema rests on a kind of pictorial imperialism that was rather common among the pioneers of abstract art (one finds the same mechanism at work in Mondrian's apology for planarity in architecture or sculpture).
	www.bookforum.com /archive/win_03/bois.html (2929 words)

	The State Russian Museum. editions.
		After Malevich's death in May 1935, his relatives were awarded a certificate of inheritance, stating that they inherited, in equal shares, "various fixtures and fittings, a grand piano, paintings and other items of estimated value fifteen-thousand three-hundred and fifty-five roubles, 3 in accordance with the bailiff's deed of inventory No. 1343 dated 29 May 1935".
		Malevich's legatees were named as Natalia Andreyevna Malevich (his widow); his daughter Una (Anna) Kazimirovna (born 1920); Lyudviga Alexandrovna Malevich (his mother); Galina Kazimirovna Sokolova (his daughter from his first marriage); and Galina's children (Malevich's grandchildren) - Igor Nikolaevich Sokolov (born 1922) and Ninel Nikolaevna Sokolova (born 1927).
		I, Natalia Andreyevna Malevich, widow of the artist Kazimir Severinovich Malevich, present the State Russian Museum with my share of the painterly inheritance of Kazimir Malevich stored at the State Russian Museum, on the condition that the donated works are never sold, presented or transferred from the State Russian Museum.
	www.rusmuseum.ru /eng/editions/malevich.html (3981 words)

	Russian Paintings Gallery - article: Kasimir Malevich. Black Square
		Malevich's new outlook was first seen at the 'Donkey's Tail' exhibition in 1912 arranged to promote Neo-Primitivist styles and articlesubtitlejects.
		Scores of Malevich's work from the 1920s were brought by the artist himself out of Russia to be exhibited in Germany, which, at the time, was more accepting of his work than was the Soviet Union.
		Malevich turned back to the Black Square every time he needed to present his work in an assertive and significant way, often in connection with the most important exhibitions.
	www.russianpaintings.net /doc.vphp?id=126 (1541 words)

	Kasimir Malevich Biography \| Encyclopedia of World Biography
		The son of a foreman in a sugar factory, Kasimir Malevich was born on Feb. 23, 1878, in Kiev.
		Malevich became acquainted with Michael Larionov and Nathalie Gontcharova in Moscow and assumed an active role in the exhibitions of the Jack of Diamonds group.
		Thereafter Malevich confined himself to arrangements of geometric shapes with the goal of suggesting such sensations to the beholder as flight, wireless telegraphy, and magnetic attraction.
	www.bookrags.com /biography/kasimir-malevich (522 words)

	Kazimir Malevich Summary
		Kazimir Severinovich Malevich (Казимир Северинович Малевич, Polish Malewicz, Ukrainian transliteration Malevych, German Kasimir Malewitsch), (February 23, 1878 – May 15, 1935) was a painter and art theoretician, pioneer of geometric abstract art and one of the most important members of the Russian avant-garde.
		Malevich also acknowledged that his fascination with aerial photography and aviation led him to abstractions inspired by or derived from aerial landscapes.
		Kazimir Malevich and Suprematism 1878-1935, Gilles Néret, Taschen, 2003
	www.bookrags.com /Kazimir_Malevich (1118 words)

	THE ART WORLD: Kazimir Malevich and Ukraine (04/11/04)
		Malevich was not only one of the principal abstract painters to emerge in the early 20th century, but by taking abstraction to its pure, non-representational end, he irreversably changed the course of modern art.
		In 1913, as Malevich was turning more decisively toward abstract art and shedding all illusionistic devices cultivated by academic painters, he collaborated with fellow avant-garde artists and poets on a performative project in Petrograd, a Futurist opera whose central theme was to capture and imprison the sun.
		Indeed, Malevich's somewhat tentative handling of faceless, hieratic figures, with unnaturally exaggerated limbs and provocative hand gestures would seem to confirm that the artist was vascillating between a kind of proletarian literalness and iconic transcendence, wavering perhaps in his conviction about the avant-garde.
	www.ukrweekly.com /Archive/2004/150425.shtml (1599 words)

	MoMA.org \| The Collection \| Kazimir Malevich. Suprematist Composition: White on White. 1918
		Malevich described his aesthetic theory, known as Suprematism, as "the supremacy of pure feeling or perception in the pictorial arts." He viewed the Russian Revolution as having paved the way for a new society in which materialism would eventually lead to spiritual freedom.
		This austere painting counts among the most radical paintings of its day, yet it is not impersonal; the trace of the artist's hand is visible in the texture of the paint and the subtle variations of white.
		Malevich was fascinated with technology, and particularly with the airplane, instrument of the human yearning to break the bounds of earth.
	www.moma.org /collection/browse_results.php?object_id=80385 (746 words)

	Artist: Malevich Kazimir
		Malevich was born in Kiev, Imperial Russia (now Ukraine).
		He developed the project of creation of National academy of arts, was the commissioner on protection of ancient monuments and a member of the Commission on protection of art values of the Kremlin.
		And after a century the paintings by Kazimir Malevich and his theoretical system have the big art value, which grows in the course of time.
	www.gallery-2000.com /artists/Malevich_Kazimir.shtml (537 words)

	Guggenheim Museum - Past Exhibitions - Kazimir Malevich: Suprematism
		With his innovative oeuvre, Malevich intended to create an artistic utopia that would evoke higher states of spiritual consciousness and become the secular equivalent of religious painting.
		Kazimir Malevich: Suprematism is the first exhibition to focus exclusively on this defining moment in the artist's career, bringing together 100 paintings, drawings, and objects drawn from public and private collections around the world.
		The exhibition opens with Malevich's Alogisms, works composed of signs, symbols, and word fragments that form a bridge between his prior Cubist phase and the breakthrough to non-objective art.
	www.guggenheim.org /exhibitions/past_exhibitions/malevich/index.html (426 words)

	Kasimir Severinovich Malevich
		Malevich continued to develop his new form of art, gradually adding more geometric shapes and expanding the colour palette to produced more complex works.
		Malevich left Vitebsk in 1922 and moved to Petrograd (formerly St. Petersburg and soon to be Leningrad) to take up the position as Professor of the Institute of Artistic Culture.
		Malevich continued to paint mainly in more conventional style, but life was now very difficult and a struggle to survive.
	www.gla.ac.uk /~dc4w/laibach/malevich.html (828 words)

	Architectonics: Kazimir Malevich
		Kazimir Malevich (1878-1935) was a Constructivist who reduced art to primordial shape and often used transparency to convey his ideas.
		Malevich was the inventor of Suprematism, which is pure geometric abstraction; solidly colored shape on neutral ground.
		In 1918 Malevich created the painting "White on White " which was the culmination of reduction.
	www.princeton.edu /~freshman/art/malevich (116 words)

	Kazimir Malevich
		Kazimir Malevich was born February 26, 1878, near Kiev.
		In 1915, Malevich introduced his non-objective, geometric Suprematist paintings and by 1919, he began to explore the three-dimensional applications of Suprematism in architectural models.
		In 1927, Malevich traveled with an exhibition of his paintings to Warsaw and also went to Berlin, where his work was shown at the Grosse Berliner Kunstausstellung.
	www.collagesbytracey.com /malevich.html (0 words)

	Exhibitions/Programs - Current Exhibitions
		Kazimir Malevich has long been celebrated as one of the seminal founders of nonobjective art in the 20th century.
		“Kazimir Malevich: Suprematism”; is the first exhibition to focus exclusively on this defining period in the artist’s career, bringing together approximately 100 paintings, drawings, and objects from public and private collections around the world.
		The exhibition opens with Malevich’s Alogisms, paintings and drawings composed of signs, symbols, and word fragments that form a bridge between his earlier Cubist phase and the breakthrough to non-objective art.
	www.menil.org /exhibitions_malevich.html (387 words)

	Artist > Kazimir Malevich (Site not responding. Last check: )
		Malevich was a Russian painter and designer who was born near Kiev in 1878.
		After the Russian Revolution, "Malevich became aware of the political significance of his art, drawing a parallel between the social and economic innovations of Communism and the new painting, free of academic rules and attentive to the development of modern technologies" (Cork).
		Although Malevich opposed the war, he was caught up in the Russian war drives and could not resist government demands for war propaganda.
	library.thinkquest.org /C005707F/malevich.htm (280 words)

	Kazimir Malevich - Beyond Figuration Beyond Abstraction at the Corso in Rome, Italy - A Review by Donald Goddard
		In 1930, Kazimir Malevich was arrested by the United State Political Agency and held for questioning at the Department of Preliminary Imprisonment Before Trial in Leningrad on a charge of espionage during his 1927 trip to Poland and Germany.
		I’m not sure what this means, except that the anger and desperation Malevich expresses in his inscription might refer equally to the condition of the peasantry before the Revolution and during the collectivization, or to Malevich’s frustration about expressing what he means in abstract terms.
		It was not until later in his career that Malevich recognized the motif’s origin in the opera, where it signifies the pure, nonobjective future, replacing the rational world of the sun under which humankind, and art, had been fated to live before that.
	www.newyorkartworld.com /reviews/malevich.html (1512 words)

	Kasimir Malevich
		Malevich and others often used this style as their emotional art response to the Russian revolution.
		Malevich was even arrested in 1930 because of his connections to German artists.
		Sadly, he was heavily persecuted and much of his work was destroyed or stolen during this time, and Malevich never seemed to recover, though he continued to create art nearly until his death.
	www.artexpertswebsite.com /pages/artists/malevich.html (569 words)

	The St. Petersburg Times - News - City Museums Unafraid Of Malevich Heirs' Suits (Site not responding. Last check: )
		The State Russian Museum's collection of pictures by avant-garde artist Kazimir Malevich are safe from claims by his descendants for their return, Interfax quoted Yevgenia Petrova, deputy director of the museum, as saying Wednesday.
		She was speaking after news that heirs of the artist, whose most famous work is the Black Square, have sued the city of Amsterdam in an attempt to recover 14 artworks that they say are rightfully theirs.
		Another city museum, the State Hermitage Museum, has few Maleviches and does not expect any claims to be made against it, a press spokeswoman said.
	www.sptimes.ru /index.php?action_id=2&story_id=12212 (707 words)

	Malaspina Great Books - Kasimir Malevich (1878-935)
		After early experiments with various modernist styles, in 1915,; in Petrograd,; he introduced his abstract, non-objective geometric patterns in a style and artistic mobement he called suprematism; his most famous painting is White on White (1918).
		Malevich taught at the Vitsebsk Art Institute in Belarus (1919-22),the Leningrad Academy of Arts (1922-27),and the Kyiv State Art Institute (1927-29).
		The result is an integrated multi-cultural and multi-disciplinary database built upon the framework of a Great Books Core List developed by Mortimer Adler (1902-2001) nearly 50 years ago.
	www.malaspina.org /home.asp?topic=./search/details&lastpage=./search/results&ID=502 (544 words)

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