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| | Pythagorean Tuning and Medieval Polyphony - Table of Contents |
 | | Providing a simple and elegant way of generating a musical scale, this tuning system may have a special appeal for styles of harmony where fifths and fourths are the most favored intervals, as is true in the ensemble music of Chinese and related traditions, for example, as well as in medieval European polyphony. |
 | | Rather, techniques of tuning and notation interact creatively with musical style in each period, and should all be taken into consideration in understanding and recreating the music of a given age. |
 | | Section 3, on stylistic considerations, is linked in many ways to a companion article on 13th-century polyphony, and owes a special debt of gratitude to studies by Vincent Corrigan on the Notre Dame conductus repertory, and by Mark Lindley on the later 13th and 14th centuries, although any flaws or infelicities are of course mine. |
| www.medieval.org /emfaq/harmony/pyth.html (766 words) |
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