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| | The Raga Guide - Introduction |
 | | In other words, ragas have a particular scale and specific melodic movements; their characteristic 'sound' should bring delight and be pleasing to the ear (or the "minds of men," as Matanga puts it elsewhere). |
 | | As well as the fixed scale, there are features particular to each raga such as the order and hierarchy of its tones, their manner of intonation and ornamentation, their relative strength and duration, and specific approach. |
 | | It is an open-ended concept in which the association of a particular raga with a specific emotional state, a season or time of day, though intangible, is as relevant as its melodic structure. |
| www.wyastone.co.uk /nrl/world/raga/intro1.html (560 words) |
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