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| | The Manifest: Mike Watt |
 | | A note is struck, and a post-metaphysical flannel woven from a trillion crisscrossing threads is flown, its most prominent stripes including: the momentum and confidence of Watts former Minuteman guitarist and ever-present soulmate, the late D. Boon; the moral oblation and spiritual flame of John Coltrane; the stream of consciousness of Joyce; Dantes pilgrim pull. |
 | | Even Watts stage setup is testament to the basss political nature, positioning he and his fellow players in way Watt has likened to a garage or an engine room, where gig-goers come to peek in and experience this conversation between compatriots. |
 | | Watt is a musician first and monetary creature last; not one to hoard, nor starve, just an artist awakened to two different livelihoods: one that keeps him physically alive, thru food, shelter, funds; and the other, Right Livelihood, that keeps him alive to the ALL, thru daemon, station, vocation, and post. |
| www.the-manifest.org /features/watt.html (1380 words) |
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